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Read our full review and about what the stars and director said about it.Ĭharlotte Rampling and Tom Courtenay both won Berlin Silver Bears for their portrayal of a long-married couple whose marriage is thrown into turmoil. The film's less emotional, more intellectual sequel was released this year and sees Swinton Byrne really come into her own but this first instalment works perfectly as a self-contained watch. Although Honor Swinton Byrne has understandably received plaudits for her debut role (her mum Tilda also plays her on screen mother), Tom Burke is arguably the real revelation here, displaying the sort of impervious to his own failings posh-boy charm that became the stock-in trade of Hugh Grant and Rupert Everett. Joanna Hogg's autobiographical story of a young film student's potentially destructive relationship with a charismatic but flawed older man is notable not just for the psychological complexity of its storytelling but also for the central performances. It's a must see for mystery fans who find themselves most intrigued by the human dimension. Beautiful, bleached cinematography presents Classical ruins in a whole new way and an orchestral score full of yearning and regret completes the picture. Rydal sees Chester as a surrogate father figure but it's plain that there's more to it than that, and as Colette finds herself squeezed out, her existence becomes increasingly precarious. This is complicated by Rydal and Colette's mutual attraction, though it's between the two men that the sparks really fly. When the three leave the city in haste after Chester kills a private detective, their fortunes becomes increasingly bound up together. He meets his match in elegant yet sociopathic con man Chester (Viggo Mortensen) and his much younger wife Colette (Kirsten Dunst). Oscar Isaac, in one of his first leading roles, plays Rydal, a young man who makes his living by guiding tourists around Athens, with the odd bit of swindling and seduction along the way. Jennie Kermode writes: A dream cast brings tenderness and soul to Hossein Amini's adaptation of Patricia Highsmith's melancholy thriller. Two Faces of January, 10pm, BBC2, Monday, May 2 It's not just Douglas who holds the attention in this tale of slave revolt in Rome, there's plenty of depth in the cast, from Peter Ustinov, who won a Best Supporting Actor Oscar for turn as gladiator dealer Bataitus (Douglas missed out on a nomination), to Charles Laughton and Laurence Olivier as scheming senators and Jean Simmons as the love interest. The gladiatorial scenes are where the film really grabs the attention, however, still gripping despite the passage of time and shot with verve by Russell Metty, who also won a cinematography Oscar for his efforts. And heroes don't get much more iconic than Kirk Douglas' Thracian slave with a passion for freedom, with the declaration: "I'm Spartacus!" still holding cultural weight 60 years on. Few films scream "perfect Bank Holiday viewing" more than this stylish sword and sandals epic from Stanley Kubrick.